Intruders (2012)

The boogeyman is too old school.

The film stars Clive Owen as a father trying to save his daughter from a specter-like figure that appears to be the product of her own imagination. There is also another story that is about this kid in Spain who is having the same problems, but nobody really cares.

The new trend in Hollywood lately seems to be that in order for horror films to stay cool and hip, they need to be old school. Sometimes this works like in ‘The House of the Devil’, and other times it fails miserably like with ‘Don’t be Afraid of the Dark’. So what better way to keep horror movies even more trendy by bringing in one of the oldest horror stories of them all: the monster in the closet.

Director Juan Carlos Fresnadillo definitely seemed like he owed somebody money here because he just does not deserve this. I don’t love this director either (I’ve only seen like one film from him), but for a guy that did the sequel to one of the greatest horror flicks of the past decade (’28 Weeks Later’) I have to say that he’s really falling off the map. Juan Carlos definitely does add a lot more to this flick than you would expect because his camera is used well to speed things up, like he did with ’28 Weeks Later’, and has some pretty cool imagery that is spooky but also very good to look at. He seems like he’s trying his hardest to bring some sort of atmosphere here to this flick but it’s all taken away by the script he was given.

This plot basically comes down to the children facing off against “Hollow Face” but neither side is worth cheering for. You never get any real sense that these kids are in danger because every time the boogeyman seems like he has finally succeeded in killing these little pieces of crap, they end up being safe after all and have only a scratch or two on them. Also, why the hell does this damn creature want a face so bad? To be accepted? To be loved? To keep this film going on longer and longer, until I practically fall asleep? I think yes for that last question.

The script also goes from bad to worse considering there is barely any horrific stuff happening here and after awhile, just gets boring. They even place an exorcism scene in the middle of the flick (cause what horror film doesn’t need an exorcism scene?) and it’s one of the most boring and unscary exorcism scenes I have seen in some time and mind you, I did see ‘The Devil Inside’ over two months ago. There was also no reason for this flick to even be two separate stories either considering they are so obviously focused more on the British family then anything else and could practically care less about the story in Spain. They both come together in a dumb way that is expected from these types of films, but it still ends on an awkward note that just feels so damn forced. Then again, so does everything else in this dumb film.

Oh, I almost forgot that there is probably one of the most unintentionally funny scenes here that I have seen in quite some time. First, Clive Owen’s daughter gets scared and says that she is having nightmares about this monster and can’t get to sleep. Thinking that he would be a good father, you expect him to just tell his daughter that all will be fine and dandy and she should just go back and dream a little dream of fairies, unicorns, rainbows, and all that good stuff. Instead, he makes a scarecrow monster, takes it outside to his backyard and lights the thing on fire hoping that it will cure her dread of the boogeyman. This scene was so stupid and dumb that I honestly thought that the film was just making a little light of this whole premise, but instead, they were totally serious and this was probably the high-light of the film, which isn’t really saying much good.

I don’t know what it is with Clive Owen, but the damn dude should be getting A-list roles that get him Oscars, Golden Globes, and all that other honorable shit but instead he’s been stuck doing dumb-ass flicks like ‘Killer Elite’ and this, which both take him further and further away from hitting total stardom. This guy is a good actor, and he at least tries his hardest with this role here but he needs to go back to the days of when he was scoring huge hits in-a-row with ‘Closer’, ‘Children of Men’, ‘Inside Man’, and even ‘Shoot ‘Em Up’. Dammit Clive! Just stop taking shitty movie roles and start making better ones before it’s way too late.

Consensus: Intruders is a horror flick that doesn’t do anything new or exciting with its premise, instead it is just boring, badly executed, and one of those horror flicks that you watch with a whole group of girls because they’ll get scared and hold onto you, but you never watch it again. Cause you never know if you want to remember the night with that chick anyway.



  1. I never even heard of this movie – and I’m a Clive Owen fan! You’re right, he keeps choosing really crappy roles. It’s been a while since I’ve seen any “horror” film, only because they aren’t scary or even interesting these days. The reason new films try to go old school is probably because no one can come up with an original horror idea anymore. What happened to imagination?

  2. I didn’t hate this film nearly as much as you did. I gave it a B-. I thought there were some decent suspenseful moments and I liked Hollow Face as a villain, but the pacing in between those moments was ungodly slow and the final explanation was stupid to say the least.

  3. Saw this at TIFF and Clive Owen was there. For the past two years he’s been taking paternal roles in small foreign films. And it’s nice for him to do that and show us that he can do what he can do in the end but the results are so anticlimactic. Owen and Carice van Houten are wasted here.

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