Believe it or not, Stan Lee isn’t the only guy who writes comics.
Harvey Pekar (Paul Giamatti) works a dead-end job as a file clerk, his second wife leaves him, and he has a debilitating vocal impediment. The two things that keep him going are his collections of jazz records and comic books. After becoming friends with animator Robert Crumb (James Urbaniak), Harvey finds himself inspired enough to write his own type of comic book, which turn out to be just the depressing, yet amusing accounts of his everyday life.
Whenever people hear of a comic book movie being made, they automatically shoot their minds to Marvel and think of names like Iron Man, or the Hulk, or Captain America, or whoever gets the next big-screen adaptation. But hardly do we ever get to see the sort of comic book movies that are made for people who could care less about superheros and all of those wonderful tales of fantasy. Sometimes, comic books have the opportunity to hit closer to home and it’s this fact, this reality that American Splendor hits hard each and every second it gets.
Of course, in a bit more depressed manner, but still. It’s a little more refreshing than watching another Marvel flick.
Co-writers and directors Shari Springer Berman and Robert Pulcini know that they’re working with simple material here, so it makes sense that they’d add a little comic book touch to the look and make it feel as if we are looking at an actual comic book on the screen. It doesn’t happen all of the time, because that would just get gimmicky after awhile, but the way they do use it when needed, works and puts you in the mind-set of how this guy looked at the world through his own eyes.
But the style isn’t just what works, as there’s a whole lot of interesting scenes where we actually see the real Harvey Pekar early on, through interviews, and even see all of the other real people in his life as well, show up every once and awhile. It’s a bit surreal at first, considering we are essentially watching a movie about the real life story of these people, they know it, and are standing there just giving their input when needed. It’s definitely weird, but after awhile, seems pretty cool as it looks like Berman and Pulcini both wanted to keep this story as close to the real thing as possible, so what better way than having the real people themselves, you know?
Honestly though, American Splendor is as interesting as it is, all because of the subject at the center: Harvey Pekar. There’s no way of dancing around that fact.
What’s interesting about Pekar is that, other than the fact that he’s a pretty miserable dude, there’s a lot more to him than just that. Does he know it? Not really, but that’s where the intrigue is; while everybody looks at him as a lovable, self-loathsome loner, he doesn’t even know it, think about it, or better yet, give a hoot. This is especially evident in how he describes his comic book creations, the stories he writes about, and how he allows them to approach life, the way in which he sees it. To him, it’s just his own thoughts and opinions getting scribbled onto a piece of paper – whether hundreds of people see it or not, is totally their call.
But then, what makes Pekar even more of engaging figure here is that he’s played by the one and only Paul Giamatti himself. Once again, Giamatti seems to be playing his “kvetching, neurotic Jewish guy”-role as we usually see in his films, but there’s more to that than just being a miserable sad-sack. Pekar seems like the perfect role for Giamatti cause not only does the guy have a general distaste for a lot of what happens throughout his day, but when he starts to realize the happiness that’s out there, it’s very nice to see and Giamatti handles it so well. In fact, when Pekar himself shows up on-screen, it’s almost hard to tell them totally apart. Whatever Giamatti himself had to do to prepare for this role, clearly paid-off as he got down every mannerism that Pekar has, wonderfully.
Though, there is more going on here than just Giamatti’s great portrayal of Pekar, as Hope Davis does a charming job as Pekar’s third wife, Joyce Brabner. Because the real-life couple of Joyce and Harvey is so odd and unique in its smallest details, Davis and Giamatti must have really had to be hard-at-work to ensure that they got everything down perfectly between the two; not just when they’re together on-screen, but how their own respective characters grow throughout the movie. Cause obviously, they are their own person, but together, they feel oh so perfectly united, that it’s hard to imagine either one of their miserable selves being with anybody else.
Basically, they were stuck together, forever. Till death did them part and I couldn’t had been any happier for them.
So if anything, American Splendor not only serves a fine send-up of all the superhero/comic book movies that seem to flood the airwaves everywhere you look nowadays, but a touching tribute to the legend of Harvey Pekar. While some may have a problem with the fact he was so ticked-off and angry for no apparent reasons whatsoever, there’s still some hope and humanity to be found in that. Cause as hard as it may be to stay happy all throughout your life, it must be even more incredibly difficult to stay as mad, either.
So here’s to you, Harvey. Rest well. And smile for a damn change!
Consensus: Though it has style to boot, what makes American Splendor so lovely is how it approaches life the same way as Harvey Pekar himself did: Not quite sure what to make of it, but couldn’t wait to find out, even if the results didn’t always make him the happiest bee in the hive.
8.5 / 10
Photos Courtesy of: Movpins
Very nice film, everyone in here is so average and yet unbelievably interesting in their average-ness. One of the most amazing moments was when the real Toby came on screen and you see how accurate Judah Friedlander’s portrayal of his absolutely bizarre speech pattern was.