Sometimes, you just need to duke it out with former besties.
Ashley (Anne Heche) is an artist who doesn’t quite have the recognition, nor fortune that she wants. She makes weird, outsider-like paintings that some people enjoy, but others don’t, and nine times out of ten, those happen to be the people who actually buy paintings in the first place. She’s trying to have a baby with her girlfriend (Alicia Silverstone), but of course, the process is a lot more difficult than she’d expect. So, to make ends meet, she works as a caterer and one night, meets an old friend of hers, Veronica (Sandra Oh). Veronica’s got a bit of a messy life, too; her husband resents her, her son doesn’t think she’s cool, and yeah, she drinks way too much. Both of them immediately strike up a conversation at this party, but also realize that they probably don’t like each other much, either. So, as one does, they brawl it out, leading to disastrous consequences for both of them, that will alter the course of their lives.
Somewhere, deep down inside the black hole of Catfight, there’s a joke, but for the life of me, I just can’t seem to figure it out. Is it that all friends hate each other? Is it that comas are funny? Is it that violence is funny? Is it that homophobia is funny? Is it that death is funny? Or art critics? Or artists themselves? Or, I don’t know, just life kind of funny?
Honestly, I still don’t know and that’s sort of the problem with Catfight – it’s the kind of movie that thinks it’s way funnier and clever than it actually is, but never really makes sense of its own hilarity, or cleverness. It sort of presents a few jokes and expects us to take different meanings away from said jokes, when in reality, there’s not much to them. Writer/director Onur Turkel seems to have an interesting mind in how he’s able to craft and balance certain different genres, tones, and moods here, but he doesn’t know how to make sense of them; to go from a dark comedy, to a serious, sad and depressing drama takes a lot of guts and skill to pull-off effectively.
And unfortunately, Turkel seems to only have the guts. The skill may have to come later.
Regardless, Catfight does have some interesting bits and pieces scattered throughout, but that’s just the problem – they’re too scattered. Originally, it seems like Turkel wants to explore how these two women, while definitely different, are also alike in many other ways, too, showing that they’re both sad, miserable and stuck in ruts that they don’t know if they can get out of. That aspect of the story is a compelling one and it helps that both of the leading-ladies are quite good in the roles, too (more on them in a bit). But then, out of nowhere, the movie decides to shoot for being something sillier, more violent, and above all else, just stranger.
In fact, yes, Catfight can definitely be classified as “strange” – it’s the kind of movie that doesn’t know what it wants to be, but tries its hand at so many different things that eventually, it’s just gone way too off-track. The only thing guiding the ship along are Heche and Oh, both of whom have always been, and are here, great. It’s actually kind of great to see them two here, because while time and Hollywood may have forgotten about them, us film-lovers haven’t and it’s nice to see them get two starring-roles once again, because they’ve always been incredibly talented. It does help that they get meaty roles to work with and show off their range, but it also helps that they remind us why they deserve to be in more stuff, regardless of “Who’s Hot”, and “Who’s Not”.
So to speak.
But like I said before, their performances, as good as they are, seem to be stuck in a movie that doesn’t know what it wants to be, what it’s about, or what it’s even trying to say. Attempting to figure this all out on your own, honestly, may be the real entertainment of the movie, but it also makes you wonder what could have happened, had the movie been sharper, more defined, and just clearer with us, and itself. It’s not all that hard to ask of a movie and it should always happen, regardless of how wacky or wild you want your material to be.
Consensus: Even with two solid performances from the always reliable Sandra Oh and Anne Heche, Catfight doesn’t know what kind of a movie it wants to be and ends up taking both of them on a ride that they, or us, probably didn’t ask for.
6 / 10
Photos Courtesy of: The Dullwood Experiment, Longroom
Haven’t seen this one yet, but was interested by the trailer and the premise. Nice review, I might give it a watch to see if I can find out its purpose though.