Sometimes, the ladies have to do the wackin’.
Angela de Marco (Michelle Pfeiffer) is fed up with her gangster husband’s (Alec Baldwin) line of work and wants no part of the crime world. Which is why when said husband is killed for having an affair with the mistress of mob boss Tony “The Tiger” Russo (Dean Stockwell), she and her son head out for New York City where they will hopefully not just get away from the life they once knew, but start a new one, far, far away from the blood and violence of the mob. Unfortunately, Tony can’t allow for Angela to get out of his sights and makes it his mission to track her down and get rid of her, in hopes that she doesn’t go off squealing to the feds. Sure, Angela would never do it, because she is done with that part of her life, but she ends up meeting a young handsome fella named Mike (Matthew Modine), who, unfortunately, for her, also happens to be an FBI agent. And it’s Mike’s job to make sure that no harm happens to Angela, but at the same time, he can’t help but fall for her, wondering what could happen if he didn’t have the job title and the badge and could, you know, be a normal, everyday person.
Was Married to the Mob the first, or better yet, the last stab Hollywood took at tackling the mobster-comedy? Not at all, but it’s definitely been a genre long dead by now, only because there seems to be so much you can do with it. The jokes have been made, the wise guys have been made into caricatures, and yeah, every convention has been spoofed. It’s hard to imagine a world where one of these was coming out a year, let alone, in the golden days of film, almost every week, and it’s also hard to imagine one actually nailing its mark in the days of 1988.
But that’s why Married to the Mob is such a lovely movie, all of these many years later.
For one, it’s the true sign of director Jonathan Demme knowing what to do with silly material and not forgetting to lose his sight of what matters, what works, and what doesn’t. Much like in the same vein of Something Wild, Demme takes a pretty conventional story, and somehow, turns it completely on its ear, with a crazy-mad bit of energy that hardly ever seems to let up, with jokes, puns, and wit to be found, without ever getting past the fact that there’s a story at the center. And like that movie, Married to the Mob does eventually get darker and far more serious, but still, somehow retains its screwball roots – it’s the kind of movie a lot of parody directors try to make work, but just never hit the mark with. Demme did that so often, that you almost hardly noticed and it’s why Married to the Mob, while maybe not his best film, at least shows what sort of magic the guy could bring to silly material such as this, without ever seeming like he was trying too hard.
And of course, yes, there’s also a lot of praise to the ensemble, too, all of whom, make the best of this fun, light material that makes everyone seem like they’re having the times of their lives. It’s hard to imagine a world where Michelle Pfeiffer wasn’t a bonafide star, but back in ’88, right before Married to the Mob came out, she was struggling to make her name known for the whole world to take notice to. And that’s why it’s no surprise that her lead role as Angela de Marco made her into that star that we all know and love so much now. It’s the perfect role for Pfeiffer, in that she gets to be sweet, a little ditsy, but also absolutely charming and fun to watch, maintaining a crazy great deal of sexuality, as well as vulnerable. In a way, she’s a bit better than the fluffy material, but still, she makes it work by seeming like she’s in on the joke, while also not forgetting that there’s strides to be made with a character such as this.
Same goes for Dean Stockwell, having a great time as Tony “the Tiger” Russo. Is this a caricature? Most definitely, but Stockwell hams up every aspect of this character that it’s a joy to watch, because you never know when he’s going to snap and lose his cool, calm, and collected demeanor. Mercedes Ruehl plays his wife who is a lot more unhinged and crazy, but also gets some of the biggest and best laughs. Meanwhile, Matthew Modine is good as a romantic-lead who has a nice bit of chemistry with Pfeiffer, and Oliver Platt, in one of his first big roles, plays his partner, nailing that comedic-timing we all know and adore.
Basically, everyone is doing a great job here, having some fun, and yeah, also realizing that what they’re playing with may be a little bit more serious. But Demme doesn’t push it too much, so, neither do they.
Man. What a director.
Consensus: Light and a little fluffy, Married to the Mob isn’t exactly as serious as it may end up getting towards the end, but through it all, remains funny, charming, and surprisingly smart for a typical screwball mobster comedy.
8 / 10
Photos Courtesy of: IMDB, Roger Ebert, RoweReviews
I remember this movie. Typical 80s stuff, but very enjoyable, nonetheless.
Great review. So wonderfully put, and such a great movie. Between Married to the Mob, Bull Durham, Big and A Fish Called Wanda, Hollywood came dangerously close to looking as though they still knew how to do homegrown comedy.